Glass Acts: The Queer Cybernetic Heartbeat of Modern Touch

         In our relentless pursuit to theorize contemporary desire, we repeatedly encounter a peculiar paradox: never have human bodies been simultaneously more connected and more isolated than in our current moment of digital intimacy. This paradox demands new theoretical frameworks that move beyond traditional binaries of presence/absence, touch/separation, real/virtual. The haptic interface […]

Seeing and Being Seen: Scrolling, Desire and Brain Fog

           A raucous voice blasts from the phone screen as a hot pink kurta obfuscates the speaker—a tiny yet fiery woman behind it. She announces to her audience the features of the product on display—silk blend, anarkali, zari embroidery, perfect for an evening party. My mother, hooked onto the screen, listens […]

Heeramandi: Sanjay Leela Bhansali’s Vision Of The Tragic Tawaif

In South Asian cinema, the depiction of tawaifs (courtesans) is a powerful mirror reflecting and reshaping societal desires and norms. The tawaif, historically, was a highly skilled and educated courtesan in Indian society, trained in music, dance, literature, politics, social etiquette, and erotic stimulation (Dewan, 2). Despite their agency and the ability to choose their […]

Care, Language, and the Limits of Discipline in Khamoshi (1969)

     The notion of care, perhaps one that demands more anthropological elaboration, retains its importance outside the medico-historical questions of health, disease, sickness, and healing to which it has often been limited. Important political considerations and implications are mobilised by our understanding of what care is. What, really, do we know about it? If […]

On Nazar: Legitimising Femininity and the Anxieties of Nationhood

The word ‘nazar’ (‘look’ or ‘glance’), imported from Arabic and Persian… is applied to the eye contact of lovers, especially the first sight that arouses passion. It also connotes, in the context of a culture that idealized (and sometimes practiced) the veiling of respectable women, an illicit glimpse that can give rise to intense ‘love […]

Wayward Birds: Desire and Expression in Imtiaz Ali’s Rockstar

Abstract How do we understand desire as something interwoven in the very landscape of Indian civilisation and culture—and not, as many believe, a Western ideal or “foreign conspiracy” (Menon 9) imported to it in the modern era? Scholars like Madhavi Menon and Rohit Dasgupta have written extensively on India’s long history with desire—the ‘third nature’ […]

Changing Ideas of Desire: Female Gaze in Contemporary Bollywood Rom-Coms

Love in Hindi cinema is often intertwined with toxic masculine ideals of self-entitlement, dangerous obsession, and complete annihilation of the object of desire. Whether it is conflating physical violence with affection in Kabir Singh (2019), repeated stalking of the woman in Main Tera Hero (2014), Toilet: A Prem Katha (2017), and Badrinath ki Dulhania (2017) […]

Subcategorization of Caste, Begumpura and Religion (TAARIF)

This following is a reflexive article written by a cohort of CSGS’s TAARIF (The Transformative Arts and Research Initiatives Fellowship). The first cohort of TAARIF brought together two individuals, for a period of four months (April 1 to July 31, 2023). The fellowship serves as platform for emerging trans* scholars from the subcontinent to bring […]